The Monthly Scientific Journal of Bagh-e Nazar

Volume & Issue: Volume 18, Issue 103, January 2022, Pages 5-98

Number of Articles: 8

Original Research Article

Investigating the Form and Application of Carafes Known as Ashkdan in the Collection of the Metropolitan Museum

Pages 5-16

https://doi.org/10.22034/bagh.2021.247039.4656

Abbas Karimi, Arezoo Khanpour

A study on the Influence of the Indian Religions (Hinduism, Buddhism, Jainism) on the Motifs of Nishapur Architectural Ornaments

Pages 17-28

https://doi.org/10.22034/bagh.2021.244113.4636

Farzad Shafieifar, Khashayar Ghazizadeh, Habibollah Sadeghi, Amir Hossein Salehi

Analysis of the Realization of the Independent Identity of the Film Still Photographer in the Film Still Photography of Ghazbanpour and Koudelka through the Theories of Genetic Criticism and Analysis of Visual Codes

Pages 29-40

https://doi.org/10.22034/bagh.2021.253280.4693

Amin Alikordi, Mohsen Marasy

Saqakhaneh of Ardabil – Suleiman Shah Mosque through Time and History

Pages 41-48

https://doi.org/10.22034/bagh.2021.283919.4872

Shohreh Javadi, Rezvan Gholizadeh Tayyar

Middle-Class Housing Analysis in the Second Pahlavi Period Based on the Shape Grammar (Case Study: Narmak Neighborhood and Ekbatan Town of Tehran)

Pages 49-64

https://doi.org/10.22034/bagh.2021.239803.4608

Sara Gholami, jamaleddin soheili, kamal rahbarimanesh

Semiotics as a Framework for Reading and Writing Landscape

Pages 65-74

https://doi.org/10.22034/bagh.2021.278517.4852

Shina Sad Berenji, Mojtaba Ansari, Mohammadreza Bemanian, Masood Hassani

Renovation of “Traditional Turkish Painting Art” in a New Way in Contemporary Turkey (from 1900 onward )

Pages 75-88

https://doi.org/10.22034/bagh.2021.261576.4733

ُSara Farahmand Drav, Hojjat Amani

Recognition of Several Iranian Painting Genres as Islamic Art through the Discourse of Dominant Power

Pages 89-98

https://doi.org/10.22034/bagh.2021.263174.4741

Fahimeh Zarezadeh

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The Monthly Scientific Journal of Bagh-e Nazar

Original Research Article

Investigating the Form and Application of Carafes Known as Ashkdan in the Collection of the Metropolitan Museum

A study on the Influence of the Indian Religions (Hinduism, Buddhism, Jainism) on the Motifs of Nishapur Architectural Ornaments

Analysis of the Realization of the Independent Identity of the Film Still Photographer in the Film Still Photography of Ghazbanpour and Koudelka through the Theories of Genetic Criticism and Analysis of Visual Codes

Saqakhaneh of Ardabil – Suleiman Shah Mosque through Time and History

Middle-Class Housing Analysis in the Second Pahlavi Period Based on the Shape Grammar (Case Study: Narmak Neighborhood and Ekbatan Town of Tehran)

Semiotics as a Framework for Reading and Writing Landscape

Renovation of “Traditional Turkish Painting Art” in a New Way in Contemporary Turkey (from 1900 onward )

Recognition of Several Iranian Painting Genres as Islamic Art through the Discourse of Dominant Power

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